39 Epizód

  1. Translation as Afterlife

    Közzétéve: 2017. 02. 24.

  2. “Forgotten Europe”: Translating Marginalised Languages

    Közzétéve: 2017. 02. 10.

  3. Between Languages: Working in and out on Translation

    Közzétéve: 2016. 11. 30.

  4. Literature Beyond Literary Studies: Intermediality and Interdisciplinarity

    Közzétéve: 2016. 11. 01.

  5. Comparative Criticism: What Is It and Why Do We Do It?

    Közzétéve: 2016. 10. 19.

  6. Intercultural Literary Practices

    Közzétéve: 2015. 11. 09.

  7. Fiction and Other Minds

    Közzétéve: 2015. 11. 09.

  8. Extremist Translation and the Deformation Zone

    Közzétéve: 2015. 07. 24.

  9. Lunchtime talk with Italian journalist Antonio Armano

    Közzétéve: 2015. 06. 23.

  10. Translation and Ekphrasis: Dante and the visual arts

    Közzétéve: 2015. 02. 24.

  11. Intercultural Tales

    Közzétéve: 2015. 02. 17.

  12. To the Lighthouse

    Közzétéve: 2015. 02. 09.

  13. OCCT event - The Creativity of Criticism part four

    Közzétéve: 2014. 12. 19.

  14. OCCT event - The Creativity of Criticism part three

    Közzétéve: 2014. 12. 19.

  15. OCCT event - The Creativity of Criticism part two

    Közzétéve: 2014. 12. 19.

  16. Languages of Criticism - Translation and Comparison part two

    Közzétéve: 2014. 12. 17.

  17. Unbuttoning Catullus

    Közzétéve: 2014. 12. 01.

  18. Other Worlding

    Közzétéve: 2014. 11. 14.

  19. Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros

    Közzétéve: 2014. 11. 14.

  20. Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’

    Közzétéve: 2014. 09. 20.

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The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.

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