Oxford Comparative Criticism and Translation (OCCT)
Podcast készítő Oxford University
39 Epizód
-
Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am”
Közzétéve: 2014. 09. 20. -
OCCT event - The Point of Comparison
Közzétéve: 2014. 09. 20. -
Languages of Criticism - Translation and Comparison part one
Közzétéve: 2014. 09. 20. -
Languages of Criticism - The Practice of Commentary
Közzétéve: 2014. 09. 20. -
Languages of Criticism - Creatively Critical
Közzétéve: 2014. 09. 20. -
OCCT event - The Creativity of Criticism part one
Közzétéve: 2014. 09. 20. -
Philosophy of Criticism - Creativity as a Virtue of Character
Közzétéve: 2014. 09. 20. -
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”
Közzétéve: 2014. 09. 20. -
Philosophy of Criticism - Justifying Canonic Value
Közzétéve: 2014. 09. 20. -
Philosophy of Criticism - Creativity, Culture and Tradition
Közzétéve: 2014. 09. 20. -
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics
Közzétéve: 2014. 09. 20. -
Intercultural Literary Practices - Theorising Interculturality
Közzétéve: 2014. 09. 20. -
Translators and Writers - Translation and Fictionality
Közzétéve: 2014. 09. 20. -
Translators and Writers - Poetry and the Act of Translation
Közzétéve: 2014. 09. 20. -
Round Table: The Future of Comparative Criticism
Közzétéve: 2013. 10. 22. -
Tropes of Comparison
Közzétéve: 2013. 10. 22. -
Comparative Literature, Britain and Empire
Közzétéve: 2013. 10. 22. -
Shaped by the Classics?
Közzétéve: 2013. 10. 22. -
Literature in the World
Közzétéve: 2013. 10. 22.
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
