462 Epizód

  1. Episode 42: Shohei Tsutsumi (Old Time in Japan/Appalachian Studies)

    Közzétéve: 2017. 05. 17.

  2. Episode 41: Tim Rowell (Will Teach You How to Play Banjo)

    Közzétéve: 2017. 05. 10.

  3. Episode 40: Liana Moskowitz (Whose Music Is This Anyway?)

    Közzétéve: 2017. 05. 03.

  4. Episode 39: Aaron Olwell (Juggling Traditions)

    Közzétéve: 2017. 04. 26.

  5. Episode 38: Ruth Rappaport and Ben Wetherbee (Old Time Family Band)

    Közzétéve: 2017. 04. 19.

  6. Episode 37: Sophie Enloe (Portland Old Time Part II)

    Közzétéve: 2017. 04. 12.

  7. Episode 36: Gabrielle Macrae (Old Time in Portland, OR)

    Közzétéve: 2017. 04. 05.

  8. Episode 35: Dotty Moore (Suzuki Refugee)

    Közzétéve: 2017. 03. 29.

  9. Episode 34: Chris Dalnodar (Ragtime Apologist)

    Közzétéve: 2017. 03. 15.

  10. Episode 33: Jordan Rast (Growing Up Old Time)

    Közzétéve: 2017. 03. 08.

  11. Episode 32: Carl Baron (The Fiddlers of Central West Virginia)

    Közzétéve: 2017. 03. 01.

  12. Episode 31: Deb Shebish (Joe Dawson's Fiddle Tunes)

    Közzétéve: 2017. 02. 22.

  13. Episode 30: Don Stratton (Original Northern Flavor)

    Közzétéve: 2017. 02. 15.

  14. Episode 29: ‎Ludvig Drevfjäll (Old Time Infatuation)

    Közzétéve: 2017. 02. 08.

  15. Episode 28: Trip Henderson (Old Time Harmonica)

    Közzétéve: 2017. 02. 01.

  16. Episode 27: David Deacon (Kentucky Fiddle Tunes)

    Közzétéve: 2017. 01. 25.

  17. Episode 26: Bertram Levy (Pioneer of Melodic Clawhammer Banjo)

    Közzétéve: 2017. 01. 18.

  18. Episode 25: Andrew Finn Magill (Live at The Random Tea Room)

    Közzétéve: 2017. 01. 11.

  19. Episode 24: Gordon Arnold (Old Time Cello)

    Közzétéve: 2016. 12. 14.

  20. Episode 23: Rachel Eddy (Inclusivity and Jam Etiquette)

    Közzétéve: 2016. 12. 07.

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Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.

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