30 Epizód

  1. Moray Welsh - more than a great cellist.

    Közzétéve: 2024. 04. 04.

  2. The Italian Maestro!

    Közzétéve: 2023. 08. 15.

  3. Mark Hanson, via Houston and San Francisco, President and CEO of the Baltimore Symphony Orchestra

    Közzétéve: 2023. 06. 01.

  4. JoAnn Falletta

    Közzétéve: 2023. 05. 04.

  5. A Life at the Helm!

    Közzétéve: 2023. 02. 07.

  6. Jeremy Rothman and Philadelphia’s new ’Golden Age’.

    Közzétéve: 2023. 01. 15.

  7. Conductor Spotlight - James Judd

    Közzétéve: 2022. 12. 22.

  8. Strads, Guarneris and the world of great violins!

    Közzétéve: 2022. 10. 11.

  9. Jeffrey Sharkey - Principal of The Royal Conservatoire of Scotland

    Közzétéve: 2022. 05. 27.

  10. Kathy Schuman and the Caramoor Center for Music and the Arts!

    Közzétéve: 2022. 04. 19.

  11. Violins of Hope co-founder Avshi Weinstein

    Közzétéve: 2022. 02. 03.

  12. Simon Eadon - the man behind the controls for fifty years!

    Közzétéve: 2022. 01. 11.

  13. Lowering the Tone and Raising the Roof - the story of Raymond Gubbay.

    Közzétéve: 2021. 12. 16.

  14. Beethoven and Jonathan DelMar - quite a team!

    Közzétéve: 2021. 11. 17.

  15. Jessica Brennan - Director of the Menuhin Competition and Donatella Flick/LSO Conducting Competition

    Közzétéve: 2021. 11. 03.

  16. Sir James MacMillan

    Közzétéve: 2021. 09. 01.

  17. Andrew Jowett - Symphony Hall's man at the helm for over 25 years!

    Közzétéve: 2021. 07. 31.

  18. BBC Scottish Symphony Orchestra Director, Dominic Parker - A Man For All Seasons

    Közzétéve: 2021. 07. 15.

  19. Nancy Laturno

    Közzétéve: 2021. 06. 14.

  20. The One and Only, Robert deMaine!

    Közzétéve: 2021. 04. 25.

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Andrew Constantine interviews celebrities from behind the scenes in the classical music industry in ”A Stick With A Point”. This innovative and thought provoking podcast turns the spotlight on composers, directors, record producers, venue managers, radio broadcasters and many more! “A Stick With A Point” goes beyond the glib and the glamour of the classical music business, avoiding clichés as much as possible and explores the vast, extended network that makes the industry hang together.

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